VOL 3
1. Simple Gifts
2. Frankie and Johnny
3. Amazing Grace
4. Pachelbel's Canon
5. Irish Jig
6. Mediterana (Bonus Video)
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VOL 3
1. Simple Gifts
2. Frankie and Johnny
3. Amazing Grace
4. Pachelbel's Canon
5. Irish Jig
6. Mediterana (Bonus Video)
-DOWNLOAD-
1. House of the Rising Sun
2. Variation on Malaguena
3. Greensleeves Expanded
4. Wildwood Flower Expanded
5. House of the Rising Sun Lead
6. Aura Lee
7. Turkey In the Straw
8. House of the Rising Sun (Bonus Video)
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his visual guide to playing six classical guitar pieces includes tablature on-screen for every piece. 1 hour 45 minutes.
Songs include: Bouree in E Minor, Jesu, Joy of Man's Desiring, Leyenda, Malaguena, Minuet in G, Romance.
"The book of a lifetime. . . . A lyrical memoir-meditation.”—Newsday
In Practicing: A Musician’s Return to Music, Glenn Kurtz takes us on a journey of hope, loss, and surprising return. Telling the story of his career as a classical guitarist—from his first lessons at the age of eight to his acceptance at the elite New England Conservatory of Music—Kurtz lets the reader into the passionate, hidden world of making and performing music, revealing the elation, the self-doubt, and the intense determination that define the work of practicing.
A prodigy at age ten, by twenty-five, Kurtz realizes that his dream of being the next Segovia will not come true. Devastated by this realization, he quits music forever. Or so he thought. Ten years later, Kurtz returns to the guitar to discover what went wrong. No longer an aspiring artist, he is now a “former musician,” overcoming his earlier disappointment and learning a new and richer kind of love for music.
By examining his own return to music, Kurtz shows how learning to pick yourself up and continue may be the practice room’s most important lesson. In this way, Practicing speaks not just to musicians, but to everyone who has striven for an ideal—and learned from disappointment. Containing vivid portraits of his teachers, friends, and competitors, along with a fascinating history of the classical guitar, its players, and composers, Practicing is an inspiring, entertaining, and meditative memoir. A love affair with music.
!!! 428 exercises on 110 pages !!!
!!! Adopt a systematic approach to guitar playing !!!
!!! Learn and enjoy !!!
!!! Discover the beauty of music, starting with the simplest exercises !!!
This textbook has been successful in teaching children as young as six years of age. It contains more than 400 exercises, folk songs, carols, short solo pieces and duets. It is illustrated with pictures to colour in and with diagrams of basic chords to play. The introduction contains a brief theory of music illustrated with practical examples.
The course can be divided into three grades of difficulty:
Volume
Vol. 6 is written for mature, experienced and technically well-accomplished players. On the other hand, the melodies are composed in such a way as to make their technique accessible and uncomplicated. The Volume opens with an eight-piece renaissance-like Suite for one or two guitars. Further pieces are mostly romantic in character. There is also, however, music influenced by clacissism, blues and the Spanish style. The Volume contains 36 solo pieces, of which 19 have a second part added.
The pieces in this textbook bear names of stones that I have collected in the Slavkov Forest region of Western Bohemia. A number of stones on show in museums all round the world hail from this region. I am enchanted by stones, and several times a week make visits to places which once saw the beginnings of mining in the Middle Ages.
Volume
77 duets for beginners and the slightly advanced!
These pieces can also be played as solos!
A suitable addition to Vol 1 'Exercises and pieces for beginners'!
This collection of pieces is one of the most comprehensive teaching aids for chamber-music playing to date. It contains 77 duets for beginners and the slightly advanced. The top part is written as independent, while the lower part is intended for the teacher or an experienced accompanist.
The pieces in this Volume fall into two groups as to their technical demands. Nos 1 - 44 have the top part entirely free of held bass notes, while Nos 45 - 77 are colourful, tuneful and rhythmic duets asking for bass notes to be held by the fingers of the left hand.
These duets are a suitable addition to Vol 1 'Exercises and pieces for beginners' and serve to develop pupil and teacher ensemble playing.
Volume
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